Aubrey Beardsley —98 is primarily known as the most celebrated and infamous illustrator of the s. Only active from until , when he died of tuberculosis at the age of 25, his curious designs in black and white combine eroticism with a style which veers between austere linearity and rococo excess. Many studies have explored the complexities of his graphic art, although less attention has been directed at his work in the field of cover design. Nicholas Frankel , offers the most sustained analysis. The aesthetic impact of these artefacts is considerable.
Strange hermaphroditic figures wandering about in Pierrot costumes, or modern dress, quite a new world of my own creation. If I'm not grotesque I am nothing. Surely it is not my fault that they fall into certain lines and angles. I know no one in the whole history of art who made such an impression. Aubrey Vincent Beardsley was an artistic and musical prodigy from an early age. Born to a father who preferred to squander his inheritance rather than adopt a trade, Beardsley's creative prowess helped stave off complete destitution.
You may not immediately recognize the name of Aubrey Vincent Beardsley, but you would likely recognize his style of illustration- dark, inky drawings that are at times intricate and yet remarkably simple. Beardsley was one of the artists on the front page of the Aesthetic movement, and his style contributed greatly to the Art Noveau posters in the 20th century. Beardsley was born on August 21, in Brighton, England, to a working class family. He was a sickly lad and by the age of nine had suffered from his first bout with tuberculosis. By , Beardsley and his family moved to London and found a community open to the pursuit of art.
In his short life, Aubrey Beardsley August 21, —March 16, became a pioneer of the Art Nouveau movement and forever changed the course of the graphic arts. He was an artist of elegant and unsentimental exaggeration, and yet beneath his grotesque aesthetic lay a subtle sensitivity to human fears, longings, and relationships. That, classically, is the purport of lyrical art. Aubrey Beardsley was above all a lyrical artist — but one who was pounded and buckled into an ironist by the pressure of knowing, which he did virtually from the outset, that for him death would be not later but sooner. A scholar of Mozart and an astute cross-pollinator of the arts, Brophy — a lyrical genius herself — writes:.